Littérature de jeunesse en anglais : Oliver Herford, Abécédaire de célébrités
(An alphabet of celebrities)
| Chap. 1 : |  A |
|---|---|
| Chap. 2 : | B |
| Chap. 3 : | C |
| Chap. 4 : | D |
| Chap. 5 : | E |
| Chap. 6 : | F |
| Chap. 7 : | G |
| Chap. 8 : | H |
| Chap. 9 : | I |
| Chap. 10 : | J |
| Chap. 11 : | K |
| Chap. 12 : | L |
| Chap. 13 : | M |
| Chap. 14 : | N |
| Chap. 15 : | R |
| Chap. 16 : | Z |
Abécédaire illustré sarcastique d'improbables rencontres ou confrontations entre plusieurs personnages historiques, littéraires, politiques et artistiques de tous les temps et de tous les pays dessinés d'un trait incisif : portraits irrévérencieux par un auteur-illustrateur américain connu pour son cynisme et son irrespect des célébrités, Oliver Herford (1863–1935).
- Voici le texte de départ en vers, et illustré par Herford , sur archive.org.
- Le tapuscrit et la traduction, anciennement déposés le 20/03/2012 sur Libre.pedagosite.net.
- Les illustrations au trait déposées le 24/10/2015 sur Commons.
- Fichier-audio sur LibriVox, en américain.
- Présentation de l'auteur en anglais ; pages à créer sur Wikipédia-fr et Vikidia.
Choix d'une quinzaine de scénettes présentant les personnages de :
- Albert, Arthur, Alcibiade et Aphrodite
- Sara Bernhardt, Bismarck, Barabbas et Bacon
- Christophe Colomb, Confucius, Carlyle, Cléopâtre et Caïn
- Diogène, Darwin et Dante,
- Édison et Ève
- Franklin, Fénelon, Fabre et (Richard) Fox
- (Lady) Godiva, Gounod et Goldsmith
- Haendel, Howells et Homère
- Ibsen, Irving et Ingersoll
- (Samuel) Johnson et Jonas
- le Kaiser, Kipling et Keats
- Lafontaine, Luther, Liszt et Loie (Fuller)
- Macduff, Milton, Montaigne et Manon
- Napoléon, Néron, Narcisse et (Max) Nordau
- Rubenstein, Rollo et Rembrandt
- Zola, Zénobie et Zuleika.
Écouter l'abécédaire en français de A à Z
Lire le texte d'origine en anglais
A'S Albert Edward, well meaning but flighty,
Who invited King Arthur, the blameless and mighty,
To meet Alcibiades and Aphrodite.
B IS for Bernhardt who fails to awaken
Much feeling in Bismarck, Barabbas and Bacon.
C IS Columbus, who tries to explain
How to balance an egg – to the utter disdain
Of Conficius, Carlyle, Cleopatra, and Cain.
D'S for Diogenes, Darwin, and Dante,
Who delight in the dance
Of a darling Bacchante.
E IS for Edison, making believe
He's invented a clever contrivance for Eve,
Who complained that she never could laugh in her sleeve.
F IS for Franklin, who fearfully shocks
The feeling of Fenelon, Faber, and Fox.
G IS Godiva, whose great bareback feat
She kindly but firmly declines to repeat,
Though Gounod and Goldsmith implore and entreat.
H IS for Haendel, who pours out his soul
Through the bagpipes to Howells and Homer, who roll
On the floor in a ecstasy past all control.
I IS for Ibsen, reciting a play
While Irving and Ingersoll hasten away.
J IS for Johnson, who only says « Pish ! »
To Jonah, who tells him his tale of a fish.
K IS the Kaiser, who kindly repeats
Some original verses to Kipling and Keats.
L IS Lafontaine, who finds he's unable
To interest Luther and Liszt in his fable,
While Loie continues to dance on the table.
M IS Macduff, who's prevailed upon
Milton and Montaigne and Manon to each try a kilt on.
N IS Napoleon, shrouded in gloom,
With Nero, Narcissus, and Nordau, to whom
He's explaining the manual of arms with a broom.
O IS for Oliver, casting aspersion
On Omar, that awfully dissolute Persian,
Though secretly longing to join the diversion.
P IS for Peter, who hollers « No ! No ! »
Through the keyhole to Paine, Paderewski, and Poe.
Q IS for the Queen, so noble and free –
For further particulars look under V.
R'S Rubenstein, playing that old thing in F
To Rollo and Rembrandt, who wish they were deaf.
S IS for Swinburne, who, seeking the tru,
The good, and the beautiful, visits the Zoo,
Where he chances on Sappho and Mr. Sardou,
And Socrates, all with the same end in view.
T IS for Talleyrand toasting Miss Truth,
By the side of her well, in a glass of vermouth,
And presenting Mark Twain as the friend of his youth.
U IS for Undine, pursuing Ulysses
And Umberto, who flee her damp, death-dealing kisses.
V IS Victoria, noble and true –
For further particulars look under Q.
W's Wagner, who sang and played lots for Washington, Wesley,
and good Dr Watts.
His prurient plots pained Wesley and Watts,
But Washington said he « enjoyed them in spots. »
X IS Xantippe, who's having her say,
And frightening the army of Xerxes away.
Y IS for Young, the great Mormon saint,
Who thinks little Yum Yum and Yvette so quaint,
He has to be instantly held in restraint.
Z IS for Zola, presenting La Terre
To Zenobia the brave and Zuleika the fair,
Whose blushes they artfully conceal with their hair.
Objectifs
Les objectifs de ce livre sont :
- Une manière ludique de faire un petit tour de culture générale des « classiques » de l'histoire et de l'histoire des arts.
- Une rencontre avec l'humour américain d'un amuseur des cercles littéraires occidentaux de la fin du XIXe siècle.
- L'art du portrait croqué en quelques mots, en quelques rimes et quelques coups de crayon.
modifier ces objectifs.